Projects

The projects listed in this section are based on participatory methods and on using the practice of self-representation as tools for sharing and coming to awareness of the condition of migrants in Italy. Through training or performance projects carried out in universities, schools or cultural centres and associations, the Archive seeks to leave traces of memory and to diffuse field- and reception practices by recording participants’ voices and stories, sharing the results of its meetings and interactions with a wider public by way of animations and audiovisuals.

 

The Horizon 2020 – ITHACA. Interconnecting Histories and Archives for Migrant Agency: Entangled Narratives Across Europe and the Mediterranean Region project aims to analyze narratives of migrants both in the past and the present, starting from the 15th century until today and create a rigorous historical framework based on them. The project’s idea is based on the creation of the ITHACA Platform, which digitalize all narratives,
“Multimedial Diaries by Migrants” is an Italian life story prize designed to collect and give publicity to stories by people from foreign countries who either live or have lived in Italy. The award has a double objective: as well as collecting and preserving a cultural heritage in danger of being lost, it aims at contrasting anti-migration stereotypes through the stories of people with a personal experience of migration.
The Migrant Memories Networks Collection (FRMM) in the Central Institute for Sound and Audiovisual Heritage contains audiovisual material on memories of immigration in Italy. The idea of setting up a network of migrant memory archives originated in the conviction that Italy is ready to include in its own collective memory cultural traces of the experiences of migration, on the increase in our country.
Why have a prize for foreign filmmakers in Italy? For foreign or Italian filmmakers of migrant origin living in Italy it is almost impossible to find funding for their work. The Mutti Prize for foreign and Italian filmmakers of migrant origin was created in 2008 with the double aim of promoting new forms of self-representation through films and documentaries and of stimulating the development of more inclusive cultural policies.
Young professional and non-professional film-makers of any nationality, aged between 18 and 35, can compete for the Prize through a public call for applications: just submit the project of a short film, with a maximum duration of 15 minutes, which includes the use, even partial, of the film material of the Aamod Foundation, the partner archives or other archives. Among the projects, a jury composed of five personalities of Italian cinema
Five short films written, shot and directed by immigrant girls and boys in Italy. A mosaic of small stories united by the search for an internal look at the migrant condition and, together, a composite portrait of Italy and its reception system reflected in the eyes of those arriving. The authors of the film come from a wide variety of countries and were selected regardless of their having any experience in the audiovisual field.
The theoretical intuition that gave the title to the research is that the condition of immigrants is crossed by a series of reversals that it is necessary to be able to think together to account for the complexity of the migratory experience. The spaces where these reversals have been investigated are the places of life, work and care: desire for “normality” that affects immigrant families, struggling with transformations
“Diari Multimediali Migranti” is a national competition based on the life stories of migrantion. In order to embrace new languages and countries, the initiative expands to other Mediterranean contexts with a second competition, “DiMMi International – ITHACA Diary Contest,”. Developed in collaboration with the European research project ITHACA – Interconnecting Histories and Archives for Migrant Agency: Entangled Narratives Across Europe and the Mediterranean Region
Paola Monzini was a brilliant and passionate researcher, who chose to devote herself to the study and understanding of complex and uncomfortable phenomena, and she did it with great rigor and at the same time with profound humanity and participation. From this inspiration was born in 2022 the Prize in memory of Paola Monzini, with the aim of transmitting her passion and her rigor to other young researchers

Welcome to Italy project

 

Five shorts written, shot and directed by young immigrants to Italy. A mosaic of stories providing an inside approach to the migrant condition, together with a composite portrait of Italy and its reception system as perceived by the new arrivals.

A documentary by
Aluk Amiri, Hamed Dera, Hevi Dilara, Zakaria Mohamed Ali, Dagmawi Yimer, 2012 (60′).

Benvenuti in Italia (WELCOME TO ITALY) is a documentary in five episodes, shot by ten hands, produced by the Archive of Migrant Memories and supported by the lettera27 and Open Society foundations in collaboration with the Italian language school Asinitas and the Circolo Gianni Bosio (a centre specializing in popular culture). The authors of the film come from a wide variety of countries and were selected regardless of their having any experience in the audiovisual field. Many had never held a video camera before. After a period of training they chose to set their stories within the different contexts of their arrival in Italy.

Selection took place in January 2011. This was followed in February by an intensive practical course on documentary filmmaking, after which each of the five authors made a brief short. Between March and April they decided on their characters and stories and wrote a synopsis.

Filming was carried out in four different Italian cities between end April and August. Each episode was filmed by a crew made up of two of the participants, acting alternately as author-director of their own story and sound-editor for the story of their colleague. They were assisted by a tutor who helped with logistics and shooting.

 

All five authors spent several weeks editing their episodes, flanked by two experienced video editors.

Among its participants the project also included Svonko DJORDJEVIC. Born in Rome, Svonko grew up in the Roma camp of via dei Gordiani. Although he is to all intents and purposes “Italian”, Svonko never received Italian citizenship. All he has is a residence permit. His contribution to the project is “Where do I come from?”.

Click here to watch the trailer and the shorts produced during the participatory video-making course.

Contributors

BENVENUTI IN ITALIA has benefited from the invaluable assistance of a number of collaborators:

Renaud PERSONNAZ, who supervised AMM’s documentary filmmaking workshop, is a well-known documentary and fiction film camera operator and cinematographer in France and Italy. He has worked with directors such as Martone, Ciprì and Maresco, Soldini, Di Costanzo and Lo Cascio. His own films include the documentaries “Le boeuf sous le toit”, “Au-delà des notes” and “Opera oscura”. For the last ten years he has been a member of the Ateliers Varan, an association founded in Paris in 1981 by Jean Rouch that specializes in hands-on courses in documentary filmmaking.

Aline HERVÉ, a French film editor stationed in Italy, has worked with Pietro Marcello, Paolo Pisanelli and Angelo Loy and has edited numbers of documentaries, including “Pinocchio Nero”, “Don Vitaliano”, “Il passaggio della linea” and “Una scuola italiana”.

Lizi GELBER, born in Italy to American parents, has worked as editor for feature films in Rome, Los Angeles (with Altman, Cimino, Polanski, Sergio Leone) and Paris, where she turned to documentary film editing. Among the documentaries she has worked on is “The Agronomist”, directed by Jonathan Demme. Reflecting on her experience, she describes how “Editing documentaries makes me feel I can combine my work as storyteller with my need to make some sort of contribution, however small, by doing something that is both useful and exciting. The aim of documentaries is often to tell a story from an OTHER point of view, one that is relatively unknown and unprecedented. In this respect, BENVENUTI IN ITALIA provided me with a very special opportunity for an intense exchange of ideas and experiences. I learnt a lot from it… both humanly and professionally.”

Saba ANGLANA, a singer of Ethiopian origin, generously allowed us to use a song from her new upcoming album, “Xamar” (by courtesy of AMRE/Verosound). Born in Mogadishu to an Ethiopian mother and Italian father, with a degree in History of Art, she has several discs to her credit, including “Jidka” (Egea, 2008), “Biyo” (World Music Network, 2010), “Life Changanyisha” (Sud Music, 2012) and “Ye Katama Hod” (Felmay/Egea, 2015).

Denislava Valentinova STOICHKOVA, backstage photographer to the project, designed AMM’s logo and graphic artwork. Born in Sofia, where she graduated, she is a talented photographer and graphic artist and has lived in Italy for several years.

Benvenuti in Italia is a project by Giulio Cederna and Alessandro Triulzi, coordinated by Dagmawi Yimer and Federico Triulzi.

Launch

Benvenuti in Italia was launched simultaneously on January 27, Remembrance Day, in five Italian cities, Rome, Milan, Naples, Venice and Verona.

The event saw the participation of writers, directors, singers, mediators and other celebrities, most of whom were migrants, including Pap Khouma, Saba Anglana, Maria Stefanache, Mohamed Ba, Issa Diallo and Ali Baba Faye. It was made possible by the collaboration of a number of institutions, networks and associations:

Ansi – Associazione Stampa Interculturale; Fortress Europe; L’Italia sono anch’io; Passpartù; Radio.doc; Razzismo brutta storia; Rete Primo Marzo; Storie Migranti; ZaLab; Milano: Institut français; Kenzi Productions; Festival del Cinema Africano d’Asia e America Latina; Naples: Università Federico II; Università L’Orientale di Napoli; CISS – Cooperazione Internazionale Sud Sud; LTM – Laici Terzo Mondo; L.e.s.s. Onlus; Shangri-La; CEICC – Centro Europeo Informazione Cultura e Cittadinanza; Rome: Centro Aggregativo Apollo 11; La Casa del Cinema; Cinema Trevi – Cineteca Nazionale; Off!cine; Venice: Assessorato alle Attività Culturali Città di Venezia; La Casa del Cinema; Verona: Nella mia città nessuno è straniero; Fondazione Nigrizia Onlus; Festival del Cinema Africano di Verona.

To obtain copies of the film for screenings and public events, write to: segreteria@archiviomemoriemigranti.net