Va’ pensiero. Storie ambulanti – Va’ pensiero. Walking stories

A film by Dagmawi Yimer, 2013 (55’).

Va’ pensiero intermeshes the stories of two racist aggressions in Milan and Florence and the complicated process of collecting and putting together the fragments of the survivors’ lives. Milan: Mohamed Ba, aged 50 anni, a Senegalese griot, actor and educator who had been living in Italy for 14 years, was knifed in the centre of Milan on May 1, 2009, in the middle of the day. Florence: Mor and Cheikh, who had also immigrated from Senegal and were living in Florence, were attacked at work in the San Lorenzo market on December 13, 2011. The stories of the three protagonists intersect with one another as they speak of their dramatic experiences and their hope, nonetheless, that they can continue living in Italy, despite the constant fear they may encounter a glance or gesture that will take them back to the time of the aggression.

Further information under va-pensiero.org

WELCOME TO ITALY

 

A documentary by
Aluk Amiri, Hamed Dera, Hevi Dilara, Zakaria Mohamed Ali, Dagmawi Yimer, 2012 (60′).

Five shorts written, shot and directed by young immigrants to Italy. A mosaic of stories providing an inside approach to the migrant condition, together with a composite portrait of Italy and its reception system as perceived by the new arrivals.

Benvenuti in Italia (Welcome to  Italy) is a documentary in five episodes, shot by ten hands, produced by the Archive of Migrant Memories and supported by the lettera27 and Open Society foundations in collaboration with the Italian language school Asinitas and the Circolo Gianni Bosio (a centre specializing in popular culture). The authors of the film come from a wide variety of countries and were selected regardless of their having any experience in the audiovisual field. Many had never held a video camera before. After a period of training they chose to set their stories within the different contexts of their arrival in Italy.

Aluk Amiri, a young Afghan who came to Italy when he was 15, tells of the tribulations of his alter ego Nasir, on the day of his 18th birthday, in a flat provided by the Municipality of Venice for political refugees.
Zakaria Mohamed Ali, forced to leave Mogadishu after the assassination of his teacher of journalism and other colleagues, gives voice to a young footballer’s dreams of glory. Dadir, a soccer champion in his own country, has to travel from Milan to Rome without a railway ticket in order to play with the “Somali national team of Rome”.
In her episode, Hevi Dilara, a Kurdish refugee, tells of the disorientation of a young family that has just disembarked and is now in a first reception centre in Herculaneum.
The episode filmed by Hamed Dera, from Burkina Faso, shows the activities and guests of “Chez Margherita”, a boarding house that had become a landmark for the Burkinabé community in Naples, shortly before it closed.
The Ethiopian refugee filmmaker, Dagmawi Yimer, presents Mohamed Ba, the Senegalese actor and cultural mediator, while he describes how a stranger suddenly knifed him at a bus stop on a beautiful sunny day.

Read further information in Benvenuti in Italia – The project.

Participants in the project attended a training course on documentary filming, conducted by Renaud Personnaz from the Ateliers Varan, producing six brief documentaries on the subject of work:

 

Roma arrota (Sharpening Rome) by Aluk Amiri

 

L’attesa (Waiting) by Zakaria Mohamed Ali

 

Bilal by Hevi Dilara

 

Friziorat by Dagmawi Yimer

 

Centro Campista (Midfielder) by Mahamady Dera

 

A lavoro (To work) by Desislava Stoichkova

Co-Productions

This section includes audiovisual productions created in close collaboration with AMM in projects in which the Archive played an important part (“Il rovescio della migrazione. Un’analisi comparativa su tutela e diritto alla salute”, 2014/2015, progetto Fei 2013 – Azione 10 – Prog. n. 105189, proposal coordinator Frantz Fanon association, contribution by Dagmawi Yimer and Giulio Cederna; participatory videos produced by the 4canixstrada association, contribution by Gabriel Tzeggai and Gianluca Gatta); productions using AMM video material (“Mare madre”, in collaboration with Museo della Sila and Fondazione Napoli99), or cultural initiatives carried out with art projects (Nationless Pavilion, in collaboration with Nationless25 and Civico Zero) or with production companies in order to take part in national film contests (bandi Migrarti-Cinema 2017-2018).

Oltre i muri – Beyond the walls
di Juan Pablo Etcheverry, 2019 (7’)
A short film inspired by DiMMi’s self-narrative workshops conducted by AMM in shelters and schools.

Asmat
by Dagmawi Yimer (17’23”, 2015)

C.A.R.A. Italia
by Dagmawi Yimer (38′, 2010)

R-esistenze | Oltre i miei confini | Nako – La terra
Three shorts made in the context of the Videopartecipativo Sardegna.
Participatory audiovisual platform, designed by the 4Caniperstrada association as part of the research project “Nuovi linguaggi e pratiche audiovisive nella Sardegna contemporanea: il video partecipativo e la ricerca di un’antropologia condivisa” (New audiovisual languages and practices in contemporary Sardinia: participatory videomaking and the search for a shared anthropology”), funded by the Region of Sardinia and in partnership with the Archivio delle memorie migranti and ZaLab.

The Delivery | La consegna
by Suranga D. Katugampala
winner of the 2017 MigrArti prize
co-produced with Oktafilm, Pianoterra

For a son – Per un figlio
by Suranga D. Katugampala (2016)
winner of the 2015 Mutti-AMM prize

T’imparano
by Suranga D. Katugampala
in partnership with Fondazione Pianoterra and the Antropos association of Tor Sapienza (Rome).

AMM Productions

This section lists the audiovisuals produced in the context of AMM’s projects, made by or involving migrant filmmakers. 

Abstracts and trailers are available for consultation, together with indications of the projects in which the works were developed.

None of these works are on the market, but it is possible to apply to AMM for authorization to organize public screenings or private consultation. Associations interested in screening AMM’s audiovisuals can also invite the authors or protagonists of the stories recounted in them, enhancing the value of the event by enabling a more direct exchange between authors and public.

 

Five shorts written, shot and directed by young immigrants to Italy. A mosaic of stories providing an inside approach to the migrant condition, together with a composite portrait of Italy and its reception system as perceived by the new arrivals.
Dagmawi Yimer returns to Lampedusa with a videocamera and a regular identity card to see and film what he could then only imagine as he looked through the gratings on the windows of the detention centre. The film is a tribute to the island and its inhabitants.
After “Soltanto il mare” (Nothing but the sea), another “Returning to Lampedusa diary” this time by Zakaria Mohamed Ali, a young Somali journalist. A chance to recall his stay in the CIE (Centre for Identification and Expulsion) and to go in search of lost memories.
Mahamed Aman and Zakaria Ali return to Lampedusa for the first time after landing on the island in 2008. Author Mario Badagliacca accompanies the protagonists on their visit to the sites of their first landing, listening to their stories and memories.
Va’ pensiero intermeshes the stories of two racist aggressions in Milan and Florence and the process of collecting and putting together the fragments of the survivors’ lives. The stories of the three protagonists intersect with one another as they speak of their dramatic experiences.
Zakaria Mohamed Ali, a young Somali journalist, following the dramatic news of the shipwreck of october 2013 that killed 368 migrants from the Horn of Africa, returns to Lampedusa to give voice and listen to survivors still detained in the center one month and 15 days after the tragedy.

Welcome to Italy project

 

Five shorts written, shot and directed by young immigrants to Italy. A mosaic of stories providing an inside approach to the migrant condition, together with a composite portrait of Italy and its reception system as perceived by the new arrivals.

A documentary by
Aluk Amiri, Hamed Dera, Hevi Dilara, Zakaria Mohamed Ali, Dagmawi Yimer, 2012 (60′).

Benvenuti in Italia (WELCOME TO ITALY) is a documentary in five episodes, shot by ten hands, produced by the Archive of Migrant Memories and supported by the lettera27 and Open Society foundations in collaboration with the Italian language school Asinitas and the Circolo Gianni Bosio (a centre specializing in popular culture). The authors of the film come from a wide variety of countries and were selected regardless of their having any experience in the audiovisual field. Many had never held a video camera before. After a period of training they chose to set their stories within the different contexts of their arrival in Italy.

Selection took place in January 2011. This was followed in February by an intensive practical course on documentary filmmaking, after which each of the five authors made a brief short. Between March and April they decided on their characters and stories and wrote a synopsis.

Filming was carried out in four different Italian cities between end April and August. Each episode was filmed by a crew made up of two of the participants, acting alternately as author-director of their own story and sound-editor for the story of their colleague. They were assisted by a tutor who helped with logistics and shooting.

 

All five authors spent several weeks editing their episodes, flanked by two experienced video editors.

Among its participants the project also included Svonko DJORDJEVIC. Born in Rome, Svonko grew up in the Roma camp of via dei Gordiani. Although he is to all intents and purposes “Italian”, Svonko never received Italian citizenship. All he has is a residence permit. His contribution to the project is “Where do I come from?”.

Click here to watch the trailer and the shorts produced during the participatory video-making course.

Contributors

BENVENUTI IN ITALIA has benefited from the invaluable assistance of a number of collaborators:

Renaud PERSONNAZ, who supervised AMM’s documentary filmmaking workshop, is a well-known documentary and fiction film camera operator and cinematographer in France and Italy. He has worked with directors such as Martone, Ciprì and Maresco, Soldini, Di Costanzo and Lo Cascio. His own films include the documentaries “Le boeuf sous le toit”, “Au-delà des notes” and “Opera oscura”. For the last ten years he has been a member of the Ateliers Varan, an association founded in Paris in 1981 by Jean Rouch that specializes in hands-on courses in documentary filmmaking.

Aline HERVÉ, a French film editor stationed in Italy, has worked with Pietro Marcello, Paolo Pisanelli and Angelo Loy and has edited numbers of documentaries, including “Pinocchio Nero”, “Don Vitaliano”, “Il passaggio della linea” and “Una scuola italiana”.

Lizi GELBER, born in Italy to American parents, has worked as editor for feature films in Rome, Los Angeles (with Altman, Cimino, Polanski, Sergio Leone) and Paris, where she turned to documentary film editing. Among the documentaries she has worked on is “The Agronomist”, directed by Jonathan Demme. Reflecting on her experience, she describes how “Editing documentaries makes me feel I can combine my work as storyteller with my need to make some sort of contribution, however small, by doing something that is both useful and exciting. The aim of documentaries is often to tell a story from an OTHER point of view, one that is relatively unknown and unprecedented. In this respect, BENVENUTI IN ITALIA provided me with a very special opportunity for an intense exchange of ideas and experiences. I learnt a lot from it… both humanly and professionally.”

Saba ANGLANA, a singer of Ethiopian origin, generously allowed us to use a song from her new upcoming album, “Xamar” (by courtesy of AMRE/Verosound). Born in Mogadishu to an Ethiopian mother and Italian father, with a degree in History of Art, she has several discs to her credit, including “Jidka” (Egea, 2008), “Biyo” (World Music Network, 2010), “Life Changanyisha” (Sud Music, 2012) and “Ye Katama Hod” (Felmay/Egea, 2015).

Denislava Valentinova STOICHKOVA, backstage photographer to the project, designed AMM’s logo and graphic artwork. Born in Sofia, where she graduated, she is a talented photographer and graphic artist and has lived in Italy for several years.

Benvenuti in Italia is a project by Giulio Cederna and Alessandro Triulzi, coordinated by Dagmawi Yimer and Federico Triulzi.

Launch

Benvenuti in Italia was launched simultaneously on January 27, Remembrance Day, in five Italian cities, Rome, Milan, Naples, Venice and Verona.

The event saw the participation of writers, directors, singers, mediators and other celebrities, most of whom were migrants, including Pap Khouma, Saba Anglana, Maria Stefanache, Mohamed Ba, Issa Diallo and Ali Baba Faye. It was made possible by the collaboration of a number of institutions, networks and associations:

Ansi – Associazione Stampa Interculturale; Fortress Europe; L’Italia sono anch’io; Passpartù; Radio.doc; Razzismo brutta storia; Rete Primo Marzo; Storie Migranti; ZaLab; Milano: Institut français; Kenzi Productions; Festival del Cinema Africano d’Asia e America Latina; Naples: Università Federico II; Università L’Orientale di Napoli; CISS – Cooperazione Internazionale Sud Sud; LTM – Laici Terzo Mondo; L.e.s.s. Onlus; Shangri-La; CEICC – Centro Europeo Informazione Cultura e Cittadinanza; Rome: Centro Aggregativo Apollo 11; La Casa del Cinema; Cinema Trevi – Cineteca Nazionale; Off!cine; Venice: Assessorato alle Attività Culturali Città di Venezia; La Casa del Cinema; Verona: Nella mia città nessuno è straniero; Fondazione Nigrizia Onlus; Festival del Cinema Africano di Verona.

To obtain copies of the film for screenings and public events, write to: segreteria@archiviomemoriemigranti.net